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Santa Cruz Vintage Southerner vs. Gibson J45 – Slope Dread “Shoot Out”

Santa Cruz Vintage Southerner vs. Gibson J45 - Slope Dread

We always welcome the opportunity to test theories here at the shop... Whether it be the distinct voicing differences between guitars from our builders, or the controversy about how a Herringbone top purfle might impart more resonance in a guitar, we relish the chance to put pick to string in the name of "sonic science".

In our latest installment we took on the venerable Slope Shoulder dreadnought, to compare a custom Vintage Southerner from Santa Cruz Guitar Company, with a standard Gibson J45.  These "workhorses" battle it out!

Both instruments are Sitka Spruce topped, with Mahogany back and sides, and Sitka bracing. Each has Rosewood fretboards and (*) Rosewood bridges, which provides more complexity in the tone, perceived by the player as richer overtones.  And both are short scale - which is also vital to the authenticity of the venerable slope D's of the 1960's.

(* In the case of our custom Santa Cruz, the Brazilian bridge and fretboard were specified as an option, and in the case of the J45 challenger the rosewood species for the bridge is not specified on the manufacturer's website.  While the fretboard is specified as Indian Rosewood the bridge appears to be Brazilian).

Our recording was performed by two players here in the shop - Adam Hatfield and Adam Fluhrer (we even compared Adam's!), using the same pick; a PaPa's faux tortise-shell 0.9 mm size, with the same recorder (a Sony PCM-D50).

On the recording you will here Mr. Hatfield 1st, slowly picking individual notes within a chord, then a short selection. When you hear the chordal notes picked individually next, it is Mr. Fluhrer playing.

Let the best "Horse" win!

Santa Cruz VS Vintage Southerner Sitka and Mahogany Brazilian Rosewood Bridge and Fretboard

 

Hear This Instrument: Santa Cruz VS Vintage Southerner Brazilian Rosewood Bridge and Fretboard

 

Recorded In-House on a Sony PCM-D50 handheld recorder with no compression or eq.

Gibson J45 MP3

Gibson J45

Hear This Instrument:  Gibson J45

Recorded In-House on a Sony PCM-D50 handheld recorder with no compression or eq.

Steel Magnolia – Josh Jones and Meghan Linsey with their new National Collegian

Steel Magnolia - Josh Jones and Meghan Linsey with their new National Collegian

When the songwriter & performing duo Steel Magnolia were looking for a "new sound" to bring into their music, their producer Paul Worley (*) brought them to visit our shop.  After playing numerous instruments, Josh & Meghan decided the National Steel Body Collegian in Vintage White was perfect for bringing a new level to some songs they were working on.

A talented, bright young couple, clearly on their way to a successful future... Here's an exciting snippet from their website:

"There is a very cool moment, preserved for posterity in TV syndication, when Joshua Scott Jones and Meghan Linsey, the duo known as Steel Magnolia, make the connection that changes their lives. It's cattle call audition day for season two of CMT's Can You Duet? Josh and Meghan are secretly ambivalent about the whole thing, skeptical that the judges are going to get their very unique sound. But they do and so began the journey that would put Steel Magnolia in the shows winner's circle and on Big Machine Records.

In the year since winning the show, Steel Magnolia has gone on to win over many more influential fans and supporters. Their bracing take of "Keep On Lovin' You" broke through as the highest charting debut single by a co-ed duo in Billboard history and climbed all the way to No. 5 on the Billboard Country Charts. The song has been downloaded more than a million times and landed in the major motion picture, “Valentine’s Day.” Josh and Meghan spent the summer of 2010 touring alongside Brad Paisley on his massively popular H20 Tour. They also toured with Reba McEntire and Blake Shelton and appeared on the Late Show With David Letterman, Jimmy Kimmel Live! and Lopez Tonight.

Even before the release of their debut album, Steel Magnolia snagged nine major industry award nominations, including: Vocal Duo of the Year and Top New Vocal Duo of the Year by the Academy of Country Music in both 2010 and 2011, Top Vocal Duo by the The Country Music Association in 2010, Best Country Music Video By A New Duo by Country Music Television and a 2012 ACM Award for Vocal Duo of the Year. Their second single, “Just By Being You (Halo and Wings),” became their second Top 30 hit. Their third single “Last Night Again” reached No. 24 on the country charts. Their self-titled album was released in January 2011 and it debuted in the Top 10 of the pop and country album charts, entering the charts at No. 7 and No. 3, respectively. No wonder then, that you're seeing Josh and Meghan on every "Whom To Watch" list in country music."

(Paul Worley has made an enormous contribution to the Nashville music scene, from early in his career as a session guitarist to his more recent role as producer / co-producer of the Dixie Chicks, Lady Antebellum, Martina McBride, and the Band Perry).

Brigitte DeMeyer – with her new Huss and Dalton 00-SP

Brigitte DeMeyer - with her new Huss and Dalton 00-SP

Meet Brigitte DeMeyer - shown here with her new Huss and Dalton 00-SP...

One of the more enjoyable aspects of our work is meeting and working with local musicians like singer / songwriter Brigitte DeMeyer.  Brigitte is a talented writer & recently co-produced her 5th CD, titled Rose of Jericho.  She has a spunky, energetic persona that exudes laughter, and a voice to match!  Here's an excerpt from her website:

"This is album number five for the acclaimed independent singer-songwriter, but it also marks a trio of significant firsts: her first time taking the reigns as co-producer; her first time recording in Nashville since she made it her home; and her first time telling her stories of balancing motherhood and music. She’d built a solid foundation with her first four albums, collaborating with giants of the Americana world—world-class drummer and producer Brady Blade especially—and showing herself to have a wonderfully natural feel for country-steeped, blues-infused roots-pop, right down to her supple, peppery singing.

On paper, DeMeyer’s musical and geographical journey down-home seems downright unlikely. The daughter of Belgian and German immigrants, she was raised first in the Midwest, then California and, entirely on her own, started latching onto rootsy sounds, from R&B 45s and cowboy songs she heard at a dude ranch her family frequented to her high school-age discovery of Bonnie Raitt and Newgrass Revival and eventual gigs singing in a hippified Catholic folk mass—where she met singer-songwriter Steve Poltz—and backing cowpunks the Beat Farmers. “I was listening to the Allman Brothers and Newgrass Revival when everybody else was listening to Foreigner,” she says by way of comparison. DeMeyer loved the Newgrassers’ blend of rock, soul and bluegrass so much that she started making the trek to hear them and to jam with the other acoustic boundary-pushers who congregated at the Telluride Bluegrass Festival. On one return trip, she found herself on the same little puddle jumper as Newgrass mandolinist Sam Bush. It was a lighthearted, though prophetic encounter: “I said, ‘I’m going to work with you some day, Sam Bush.’ And he started laughing.” (She made good: his virtuosic picking is all over Rose of Jericho.)"

We are pleased to have assisted Brigitte in selecting her new guitar, as she embarks on her upcoming UK tour with local in-demand guitarist / songwriter Will Kimbrough.  We fitted her new Huss & Dalton with a Fishman Matrix Infinity Undersaddle pickup for live performance, and added a custom setup to suit her playing style.  We hope to see Brigitte upon return from her tour, for a full report!

Namm Show 2012 – National

Namm Show 2012 - National

Namm Show 2012 – Santa Cruz

Namm Show 2012 - Santa Cruz

 

 

 

 

 

 

 

 

 

Namm Show 2012 – Kamaka

Namm Show 2012 - Kamaka

Namm Show 2012 – Collings

Namm Show 2012 - Collings

 

 

 

Namm Show 2012 – Carr Amplifiers

Namm Show 2012 - Carr Amplifiers

 

 

Namm Show 2012 – Morris Guitars

Shane Adkins at Morris booth

Shane Adkins, Winfield Champion guitarist, was picking non-stop in the Morris Guitars booth throughout the show! Shane is a fantastic player, handy with a flat pick and a master with a thumb pick, too. Here he is playing a Luthier Model Morris S-142, made of solid Japanese Horse Chesnut back / sides / top, with scalloped X bracing.  The neck is solid Maple.. Beautiful guitar, list price $8,440.

Namm Show 2012 – Composite Acoustics

Namm Show 2012 - Composite Acoustics

Composite Acoustics new Legacy model.

Namm Show 2012 – Huss & Dalton

Namm Show 2012 - Huss & Dalton

Our first day at the NAMM show, can be a bit overwhelming on the senses. Our owners, Bill and Ellie Warmoth took a bit a respite from the sights and sounds to visit with our friends from Staunton, VA, Huss and Dalton. It is always a great pleasure to be able to attend the annual NAMM show in Anaheim, CA, not only to re-connect with our builders, but also to see the amazing instruments they create for the show! We will be posting pictures from our owners,  as they visit our builders as well as show us the sights and sounds of this massive music expo.

At the booth we found, Jeff Hill, general sales and Marketing manager for the company showing off a beautiful custom OM with a piece of Chechen Rosewood chosen for the back and sides. Take a look at the gorgeous figuring ! Jeff Huss, one of the namesakes of the company, and a fine flatpicker, is seen playing this one in the booth. He is also shown holding a custom FS with a wonderful set of Myrtle wood used for the back, and Port Orford Cedar used for the soundboard.

We chose to bring two very special 00 models  back to our shop.  A beautiful 00 with an Engelmann Spruce top, and a phenomenal set of Cocobolo for the back and sides. Bill had to sit down and test this one for himself!

Our other choice was a 00 all mahogany (top included), however, Huss and Dalton didn't stop there. The wood used is one of our shop favorites from folks in Virginia, sinker Mahogany. We have seen, and heard this wood on Dreadnought's, 000's, and OM's, and had to use this on 00, as we love the focus, punch and projection this little beauties crank out.

Keep checking our "What's New" Feature to see what our next stop will be as we continue to update you from NAMM 2012!

Jeff Hill of Huss & Dalton, showing off a custom OM - Sitka & Chechen Rosewood

Jeff Huss flat picking the custom OM.

Bill Warmoth showing the beautiful Chechen Rosewood back.

Bill Warmoth with a H&D custom Engelmann / Cocobolo 00 that is available through us at Artisan Guitars!

Jeff Huss Holding a Port Orford Cedar over Myrtle Wood Custom FS

Bourgeois Varnish and Hot Hide Glue Shoot-Out – Audio Samples Included – Bourgeois Vintage D Custom Varnish with Hot Hide Glue – Bourgeois Vintage D

Bourgeois Varnish and Hot Hide Glue Shoot-Out - Audio Samples Included - Bourgeois Vintage D Custom Varnish with Hot Hide Glue - Bourgeois Vintage D

Our entire crew at Artisan Guitars enjoys personal time spent comparing a broad range of guitar specifications, options, and the difference in sonic results. Being around so many fine instruments grants us permission to hear how subtle changes like the wood chosen for bracing can change the top end of a guitar, or also how Glue can make the guitar respond in a different way.

In this comparison we have taken two guitars from Dana Bourgeois with very similar starting points and very different options as our latest comparison project. The two guitars are both Vintage D models, featuring Adirondack Spruce tops, with Indian Rosewood back and sides. Both have Adirondack bracing which is customary on all of Dana's instruments, both have the same neck material, ebony fretboards, and Herringbone as the top purfle (inlay). However, one of these guitars has a Varnish Finish as well as the Hot Hide Glue construction for the top bracing, bridge attachment, and bridge plate. According to Dana, "The closest thing to the sound of a 70 year old nitrocellulose lacquer finish isn't a new lacquer finish, but a thin oil varnish finish. Properly applied, oil varnish smooths out the "jangly" sound of a new guitar in much the same way that lots of playing seems to accomplish." This makes the guitar sound more "broken in" from the start, and adds a deep golden hue to the entire guitar.

Additionally, Hide Glue was originally used on the early Martin guitars however eventually phased out by production oriented builders due to the added time it takes to work with... not to mention: messy! Hot Hide glue sets up like glass, offering a more immediate and efficient transfer of energy throughout the top, making the overall guitar more responsive with a clarity of tone that is unmatched - an excellent compliment to the added affect of utilizing Adirondack bracing.

So, we let you, our listeners decide! The guitars are 12 serial numbers apart, built within the same time frame and completed within the same week. Same player, same day recorded, same time of day recorded, same pick (a Blue Chip TP-1R 60), in the same room, all using a Sony PCM-D50 handheld recorder, using no compression, or EQ whatsoever. What you hear is the guitar, nothing more nothing less. No matter what you believe, we hope that this will stir a debate amongst our intrepid customers!


Bourgeois Vintage D Adirondack and Indian Rosewood
Bourgeois Vintage D Adirondack and Indian Rosewood
Bourgeois Vintage D Adirondack and Indian RosewoodRecorded In-House on a Sony PCM-D50 handheld recorder with no compression or eq.


Bourgeois Vintage D Custom Varnish
Bourgeois Vintage D Custom Varnish, Adirondack and Indian Rosewood with Hot Hide Glue
Bourgeois Vintage D Custom Varnish, Adirondack and Indian Rosewood with Hot Hide GlueRecorded In-House on a Sony PCM-D50 handheld recorder with no compression or eq.

 
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