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Pre-Owned: 2008 Burriss Royal Bluesman

2008 Burriss Royal Bluesman

2008 Burriss Royal Bluesman

Quality, Versatility and sweet tones have always been the hallmark of the Burriss Design philosophy and the Royal Bluesman is no exception. Despite it's ultra portable stature the Royal bluesman is really 2 high quality audio devices in one.

It's primary design intention is a warm and expressive tube-type guitar amp with on-board spring reverb and tremolo features unheard of on an amp of this size. By moving the power switch down to the "FX" mode the Royal Bluesman takes on a whole new identity. In the FX mode the Royal Bluesman can be unloaded from the speaker so that it can be used as a stand-alone reverb tremolo unit into another amp or mixing console. The features dont stop there, also included is a series effects loop complete with send and return level controls which allows the return to be used as a quasi 2nd channel.

Burrriss was first to the market with a handy pedal board power supply built right into the amp which supplies 9vd@1A to your pedal board via the footswitch cable. The included VIB+ footswitch has a 2.1mm power outlet jack that allows guitarists to daisy chain out of the VIB+ to power most any standard 9V effect pedal.

Other features include 4-8-16 ohm speaker taps and 50/60hz world power capable.

Some Key features-

1.) High voltage class A amplifier-Reverb with dwell and mix controls parallel with the guitar pre-amp Vibrato (optional foot pedal available).

2.) Series Loop or Parallel Return.

3.) Allows effects to be added in the loop.

4.) Allows the Royal Bluesman to act as a stand-alone reverb and vibrato to be used with other amps for those effects.

5.) Royal Bluesman may be used as a pre-amp which also allows it to be used as a boost when used with the Burriss Chaloopa Loop Pedal.

6.) Line level input parallel with the guitar channel allows you to run external music through your amp while playing along.

7.) Capable of two line level inputs using the "send" jack Volume: from bedroom to gigging level.

CE and ROHS certified and proudly hand wired in the USA!

This single channel, Burriss Royal Bluesman also includes a custom made speaker cabinet, and soft carrying case. This custom made enclosure was made by Power sound, and features a Weber 8" Blue Pup Ceramic speaker. From Weber's website; "This is a 10" version of our P12B Blue Dog. We call it the 'Blue Pup'. It uses a 1 1/4" voice coil and the AlNiCo plug magnet (unless ordered with the Ceramic option). If you like the brit sound of the Blue Dog, we're sure you'll be impressed with the sound of the P10P. It has excellent sensitivity, overall smooth response without being HIFI-ish, and has clear, clean highs." The original cables (s) for footswitch and patch cable amp - cab are missing. It has an $125 upgrade to current 2012 specifications. Additionally, it has a 3 position power switch: Normal and No Load which includes: Reverb/Preamp, Trem/Pre, EQ/Pre. There were a few very minor scratches to the cabinet as expected from a used amplifier. View detailed photos below.
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$1,075.00Price:
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Pre-Owned: 2008 Trussart Rusty Steel Deville

2008 Trussart Rusty Steel Deville

2008 Trussart Rusty Steel Deville

James Trussart is famed for making guitars that combine the feel of a traditional electric guitar with the radical looks of a body made entirely out of steel.  A musician-turned-luthier, the Parisian native began his career as a fiddler, accompanying Cajun singer-songwriter Zachary Richard in the late 70's, befor turning his attention to crafting violins and later guitars in 1980.

From his So-Cal home workshop (where he's resided since 2000), Trussart crafts custom steel-bodied guitars, basses and violins in a dazzling array of finishes, reminiscent of shiny chrome resonator instruments and rusty, weathered or fossilized discarded machinery.

Trussart's creations are designed to have the look and feel of a vintage instrument with the added appeal of a metal construction. His "Rust-o-matic" technique (a term coined by Billy Gibbons regarding Trussart's unique finishes) involves leaving the guitar body exposed to the elements for several weeks, allowing it to corrode before treating it to stop the corrosion. He then sands it to replicate years of distress, and then finishes it with a clear satin coat.

The SteelDeville is a classic Trussart single cutaway design with a hollow steel body and a wood neck that is both beautiful to look at and to play. The 24.5” scale length and vintage components make this instrument feel like home the minute you lay your hands on it. The SteelDeville features custom metal appointments, like the recessed steel head cap that is both beautiful and functional. Additionally, by adding mass to the headstock it increases sustain.

The steel body while also being the perfect medium to display the beautiful Trussart custom finishes and engravings also has tonal advantages. The Trussart SteelDeville tone is a uniquely classic, thick and resonant tone combined with an edge that cuts through. The construction of these instruments is only half of the story, the other half is the finish, every instrument comes with a history and a slight element of neglect, of decay, so it has a personality of it’s own.

The SteelDeville has found it’s way into the hands of many guitarists including Rich Robinson, Billy Corgan, Zakk Wylde, Richard Fortus, to name just a few.

All wear to this 2008 Trussart Rusty Steel Deville looks like it is original to how it left the factory, it is a very cool instrument that sounds as unique as it looks. Original G and C Hardshell Case Included.

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$2,799.00Price:
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Morris Guitar Model S 91 Orchestra Model Cutaway

Morris Guitar Model S 91 Orchestra Model Cutaway

Morris Guitar Model S 91 Orchestra Model Cutaway

The Morris S Series top is constructed with their original XX bracing Top pattern. By diffusing the positions of the bracing peaks, they are able to distribute the string vibrations from the bridge to the top with better balance, creating fantastically rich sounds that sustain well throughout the register, from the lowest to highest notes.

This is complimented with their unique X Bracing Back. Back braces are normally positioned perpendicular to the strings, reducing some vibration. To eliminate this effect while maintaining the flexibility of the wood, Morris employs a similar diffused X Bracing structure on the round back, allowing it to vibrate like the top, providing a complete, rich, rounded sound.

A gently arching back successfully enhances overall musical quality, yielding real differences in increased volume, powerful sound, and longer sustains. This featured Round Back is rounded both vertically and horizontally, providing a sound unique to Morris guitars.

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Price: $3,560.00
$3,026.00Price:
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Composite Acoustics GX Prototype Carbon Burst High Gloss

Composite Acoustics GX Prototype Carbon Burst High Gloss

Composite Acoustics GX Prototype Carbon Burst High Gloss

IN STOCK NOW!!! The GX is CA's most popular and versatile model, and it's no wonder! The grand auditorium sized cut-away provides fuller bass response than the slimmer X Model, while providing easy access to upper frets with its no-heel neck joint. The GX is braced with their performance tuned lightweight carbon fiber bracing for an extremely well-balanced volume on every note. The GX provides a very quick and clean response - excellent for chord strumming and flat picking. The comfortable double-cut sculpted back will make you think this guitar was made just for you, and it was!

Composite Acoustics, being made almost entirely of Carbon Fiber, are impervious to changes in temperature and humidity. In fact, at the Winter NAMM show, 2 CA guitars were on display beneath running waterfalls, to demonstrate that water will do nothing to these guitars.  Finally, there are guitars that not only sound incredible, but can be left in a cold car overnight, or even out in the hot sun at a festival.   Forget humidification, you simply don't need it with a Composite Acoustic!  The neck will never bow... there isn't even a truss rod to adjust, since there will NEVER be a need to.

This Composite Acoustic GX is a Prototype from Peavey. It is outfitted with the LR Baggs iMix system however it only has 1 pickup.

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Price: $3,499.99
$2,299.99Price:
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Carr Mercury 1×12 Custom CoCo with Vox Grille Cover

Carr Mercury 1x12 Custom CoCo with Vox Grille Cover

Carr Mercury 1x12 Custom CoCo with Vox Grille Cover

The Mercury inspires visions of a classic cabinet design from a time long ago, but within the chassis of the Mercury you'll discover an inspiring and truly innovative circuit (along with utterly remarkable tone). While it is true that your friends, band mates and family members will admire the Mercury for its good looks and 'polite' power rating, Mercury owners seem to cherish our newest amp for many other practical reasons. Carr's exclusive power attenuating circuit enables the Mercury to be played at 8, 2, 1/2 and only 1/10 watts, with no appreciable change in tone, yet the Mercury easily yields enough clean headroom for club work. Add our renowned reverb circuit, a 3-position boost switch for subtle-to-intense output tube distortion, plus the incomparably thick and rich tone of a single EL-34 power tube, and the Mercury will earn its rightful place among your most treasured instruments.

We have chosen to add the vintage vibe of this Merc, by choosing a "Vox" inspired Grille Cloth. With the custom CoCo color, this one oozes vibe from a by-gone era! This one will look perfect in your house, apartment, or loft, as it looks more like a vintage piece of furniture, than it ever looks like an amplifier.

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$2,590.00Price:
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Pre-Owned: 2005 G and L Comanche

2005 G and L Comanche

2005 G and L Comanche

Leo Fender† passed away on a rainy day in March of 1991, an event which shook the Music World: The father of modern music was gone. It was on that very day that Leo had completed his last prototype instrument, after which he declared to his wife Phyllis that he had given all he can to the musicians of the world. Before his passing, he wanted to be sure that the legacy of G&L would continue to shine even brighter in the future. He knew that he must look after the people of G&L, his family, so that they would remain secure and free to continue building the finest guitars and basses in the world.

Today the G&L factory continues production as Leo would have wanted. His private workshop, the center of his creativity, remains untouched as it was on his last day and has been visited by music people from around the world. While the people of G&L, his people, continue to build the instruments with love, dedication and great skill.

The 2005 G and L Comanche is a superbly executed super-Strat. A versatile instrument and a perfect choice for a session or casuals player who prefers to schlep just one axe. The Comanche is incredibly well-made. The detail work is superb, the nut and neck joint are airtight, and the finish is mirror perfect. The sleek, shallow neck is exquisite, and the jumbo frets are immaculately set and rounded. The feel is creamy and consistent. The non-locking arrived superbly set up with two springs. The trem arm pushes snugly into its socket without screwing or locking, and stays put until you tough it. The entire assembly is light, accurate, and super-responsive.

Ingenious wiring enhances the Comanche’s flexibility. Along with a 5-way pickup selector, there’s also a toggle switch that lets you choose all three pickups at once, or the outside two together. Even cooler are the pair of global, passive treble and bass controls. The bass knob is especially handy for nudging the hefty Z pickups toward vintage Strat tones, and the treble control is great for dialing in smoky, jazz-approved colors. The Comanche delivers a surprisingly good faux-archtop vibe. The flexible and intuitive controls make it easy to dial in just the right shading.

The tones live up to the craftsmanship. They are ringy and rich, with lots of top-end airiness. At the same time, they deliver a low-end impact that far exceeds a traditional Strat’s. As on an ASAT, you get the graininess and acoustic-like complexity of a vintage Fender, but with greater power and an expanded frequency range.

Click Here to download the 2005 G and L Comanche Certificate of Authenticity

Click Here to download the 2005 G and L Comanche Controls Diagram

This 2005 G and L Comanche guitar is excellent condition, hard to distinguish used from new there are just a few minor light scratches on back which are hard to distinguish in the detailed photographs below. Original Hardshell Case Included.

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$1,350.00Price:
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Pre-Owned: 2006 Martin 000 28EC Eric Clapton Signature Model

2006 Martin 000 28EC Eric Clapton Signature Model

2006 Martin 000 28EC Eric Clapton Signature Model

Eric Clapton has relied on Martin 000s throughout acoustic career, resulting in huge increases in sales and interest from the 90s and onward. In 1995, Martin collaborated with Clapton and released the first of many signature models - the 000-42EC. Wildly popular and rather expensive, the impact of the 000-42EC resulted in a simpler and more affordable, yet equally as spectacular model. The 000-28EC fits the bill, and this particular one has opened up beautifully!

Clapton himself has called this guitar a "utilitarian in the very best sense of the word" - and we would agree wholeheartedly! The 000-28EC shares some characteristics with famed pre-war 000s, including a scalloped X bracing pattern. The 14th fret neck joint extends the reach beyond the typical 12th fret joint on 000s, but is still frets effortlessly up and down the fingerboard due to its short scale. The profile of the neck is a slight modified V with a 1 3/4" nut width. The combination is a nice complement that fills out your left hand without too much heft. The 000-28EC is surprisingly warm and rich, lending itself nicely to fingerpicking, yet with enough headroom for strumming. A few years of playing has opened up the Sitka Spruce top; it is responsive and mellowed on the top end. Hands down one of the nicest Martin 000s we have played!

This 2006 Martin 000 28EC is in excellent, pristine condition with no fret wear, only some minor buff marks and fine pickguard scratches.  Original Hardshell Case Included.

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$2,499.95Price:
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Carr The Bloke 1X12 Black and Cream

Carr The Bloke 1X12 Black and Cream

Carr The Bloke 1X12 Black and Cream

From Carr "The Bloke finds it's inspiration in both classic British 10's and 80's heads plus late 60's American tube bass amps. We meld raw brashness with an incredibly muscular direct driver output section. Bloke overdrive is thick, articulate, and with exceptionally solid speaker control. Massive filter capacitors in all power supply stages further add to the rock breaking low punch. Foot switchable Lead mode increases sustain and odd order harmonic drive perfect for cutting thru on solos. "

This Bloke features a Black Cabinet with a Cream grille cloth frame.

Intuitive Controls

  • Volume - Drive Level
  • Master Volume - Overall Volume
  • Gain Toggle - High / Higher
  • Lead Master - Overall volume in Lead mode (lighted foot switch included)
  • Treble - Brightness
  • Mid - Scooped to forward upper midrange
  • Bass - Unique circuit yielding very strong, tight bass

Tubes

  • (2)El -34 Power tubes sotck@ 48 watts - 6v6 compatible @ 23 watts
  • (3)12AX7 Pre amp and phase inverter tubes
  • (1)12AT7 Direct Driver tube

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$2,450.00Price:
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Pre-Owned: 1966 Gibson A5 Mandolin

1966 Gibson A5 Mandolin

There are very many styles and varieties of mandolins made by very many manufacturers and independent luthiers. However, Mandolin referred to in the USA are more than likely those manufactured by the Gibson Co. (or patterned after the Gibsons).

Orville Gibson (born 1856, Chateaugay, New York) started making mandolins in Kalamazoo, Michigan, United States. The mandolins were distinctive in that they featured a carved, arched solid wood top and back and bent wood sides. Prior to this, mandolins had a flat solid wood top and a bowl-like back similar to a lute. These bowl-back mandolins were very fragile and unstable. Disdainful of the shape, Orville Gibson characterized them as "potato bugs". Gibson's innovation made a distinctive, darker-sounding mandolin that was easier to manufacture in large numbers.

In 1922 Gibson introduced a level of master-grade instruments under the watchful eye of its top engineer, Mr. Lloyd Loar. These instruments designated as the F5 mandolin, L5 guitar, H5 mandola, K5 mandocello, no mandobass and exactly one A5 mandolin; were characterized by very high quality workmanship, materials, ornamentation AND f-shaped soundholes. The F5 mandolin also has a longer neck than the previous mandolins allowing easier access to the higher frets. These instruments signed by Mr. Loar have become highly prized collector items.

This 1966 Gibson A style mandolin features a rounded teardrop shaped body. It may have two points projecting from the body, one on each side of the neck - but the term "A", is then further qualified as a "double cutaway A" or "Jethro style A" or "Florentine A" in this case. In the absence of further designation, vintage "A"s are understood to be of the oval hole variety, modern "A"s of the f-hole variety. In the early 1960's the A-5 mandolin incorporated the Cherry sunburst finish.  It plays wonderfully, has a great loud "chop", and a beautiful warm sound.

This is a nice clean A style with F-shaped sound holes with a carved spruce top and flame maple back and sides. Fretboard is flush with the top. Classic "Gibson" decal logo above the truss rod cover on the peghead. Fully bound top, back and fingerboard. All hardware and finish is original. Some scratches, dents and wear as seen in the detailed photos below.  Comes with original Gibson Hardshell Case.

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$2,450.00Price:
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National ResoLectric Biscayne Blue with a Lollar P90

Hear This Instrument: National ResoLectric Sunburst Finish Jason Lollar P90 through Carr Rambler. 1-Highlander 2-both P/u
Recorded In-House on a Sony PCM-D50 handheld recorder with no compression or eq. -20dB pad on
National ResoLectric Biscayne Blue with a Lollar P90

National ResoLectric Biscayne Blue with a Lollar P90

From time to time we are privileged to receive custom or "One-Off" instruments from National ResoPhonic, and every single time we are simply blown away with their quality and choice of appointments, or in this case the Finish! When we first opened the case of this Custom ResoLectric we were mesmerized by the very mellow yet hypnotic Biscayne Blue finish. To compliment the finish National also finished the headstock in Biscayne Blue which we believe compliments the finish perfectly. We have seen many of the standard burst Resolectric's and Revolver's here in our shop and would have never thought about this guitar in blue, but we are incredibly pleased to have this unique guitar in the shop and hope to see more like it in the future! Biscayne Blue, for you classic car aficionados, was part of the paint line up for the 1954 Chevy line up, and as you can see, is a gorgeous shade of deep, almost iridescent blue.

The ResoLectric has gone through a few changes in its 19 years of production. The current model uses an audiophile-quality Highlander preamp to mix both the magnetic and piezoelectric pickups. A Jason Lollar P-90 pickup sits in the neck position, and a Highlander piezo transducer is fitted under the saddle. The output of each pickup is controlled by independent volume knobs, with a master volume knob to control the instruments overall output level. A 3-way toggle switch selects which pickups are active. The solid mahogany body is capped with a figured maple top bound in ivoroid and finished off with a  gorgeous pearloid pickguard. The figured maple neck clears 14 frets to the body, highlighted with a diamond inlaid, rosewood fretboard.

The Lollar P90 in the neck has a fat, singing lead voice that is perfectly suited for slide players looking for the ultimate in classic Electric blues tones. The Piezo sounds like an acoustic national, only perfectly amplified. You have a myriad of tones at your fingertips, which makes it easy to switch between a preset rhythm and lead sounds. I do believe I'll dust my broom!

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Price: $2,500.00
$2,125.00Price:
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Pre-Owned: 2011 Santa Cruz Bob Brozman Baritone European Spruce and Mahogany

2011 Santa Cruz Bob Brozman Baritone European Spruce and Mahogany

2011 Santa Cruz Bob Brozman Baritone European Spruce and Mahogany

A collaboration between world musician Bob Brozman and SCGC's Richard Hoover, this unique guitar combines design elements and tone woods for unrivaled volume, tone and sustain. The Bob Brozman Baritone model features a 27-inch neck scale built to be tuned down two or three half steps, a sloped-shoulder dreadnought with 12 frets to the body, contributing to a rich and powerful voice. If your playing styles include Blues, Hawaiian slack-key or any open-tuning fingerstyle, this guitar is for you! - powerful, indeed!

This baritone guitar simply sounds incredible and plays like a dream. It resonates beautiful sounding low frequencies and the baritone tuning provides deep low chords that instantly sound unique. Perfect for players who like things a bit lower than standard E.

Bob Brozman is tuned C to C with guages 17, 24, 32, 45, 52 & 59 (NOTE: CAN BE TUNED TO D WITH A TRUSS ADJUSTMENT).  This custom Baritone also features an incredibly usable feature - a 1 3/4" nut width that makes it a smooth switch from a standard guitar to this baritone.

European Spruce, a special appointment on this guitar, provides a rich, complex tone and is the perfect topwood for many players who play fingerstyle as well as flatpick. European Spruce is stiffer than Sitka, providing more headroom and power, yet more flexible than Adirondack so that it responds well to a lighter attack. Additionally,the Mahogany back and sides keep your lead lines clear and distinct. We affectionately refer to these as little pianos, for their amazing clarity while playing a low "C". If you haven't played a Baritone, you owe it yourself to try one. Everything you normally play, now takes on a whole new sound!

This 2011 Santa Cruz Brozman is in excellent condition with only a few minor scratches around the tuners as well as a barely visible finish dent on the back. Close up of the imperfections can be seen in the images below. Includes the Original Ameritage Hardshell Case.

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$3,900.00Price:
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Collings D1A Adirondack with Vintage Now Neck

Collings D1A Adirondack with Vintage Now Neck

Collings D1A Adirondack with Vintage Now Neck

Collings brings new clarity to the depth and warmth associated with large, deep-bodied dreadnought guitars. The bass response makes the dreadnought ideal for vocal accompaniment, however, Collings D1 Series Mahogany dreads are employed by some of the busiest bluegrass flatpickers in the business, such as Andy Falco of the Stringdusters and Adam Aijala of Yonder Mountain String Band.

This Collings D1AVN is extraordinarily loud. The Adirondack Spruce top loves to be played loud and provides ample headroom and power needed to cut through bluegrass ensembles. The Mahogany back and sides keep your lead lines clear and distinct, just like the classic flatpicking recordings we've grown to love from players like Clarence White, Doc Watson, and Norman Blake.

Loudness aside, this guitar is also incredibly balanced in it's frequency response. Notes are rich and full all the way up and down the neck. The midrange and high-end sparkle will cut through any studio or on-stage mix with ease. The lows are balanced, defined, well rounded, and never boomy.

The Vintage Now neck is a custom appointment on this instrument and is coupled with a 1 3/4" nut and 2 1/4" string spacing at the saddle. Collings Vintage Now neck is the perfect compromise for many players that think a modern neck is too flat in profile, yet the typical neck on a 40's style instrument is too thick. Collings' exclusive neck profile is uniquely adapted to players looking for vintage width and girth, with contemporary playability. The slightly wider string spacing at both ends of the guitar also makes fingerstyle playing and chordal accompaniment more enjoyable. With a traditional "cut-through" saddle there should be no doubt as to the inspiration for this beast.

Browse our fine selection of Collings Guitars.

Learn more about the history of Collings Guitars.

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Price: $4,875.00
$4,387.00Price:
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