Collings D2H Guitar Herringbone Sitka Spruce and Indian Rosewood ID-11539
Collings D2H Guitar Herringbone Sitka Spruce and Indian Rosewood
The square-shouldered 14-fret dreadnought is the most popular steel-string acoustic guitar body shape in the world. While Collings is certainly not the first to build them, they bring a new tonal clarity to the depth and warmth usually associated with such a large, deep-bodied guitar. The Collings D2H is a powerful dreadnought without any compromise.
Although its bass response makes the dreadnought ideal for vocal accompaniment, Collings versions are also often employed by bluegrass flatpickers who must compete with inherently louder instruments such as banjos and fiddles.
The standard D2H is ideal for players who find Adirondack Red Spruce too stiff for their style. Sitka Spruce is a versatile topwood that accentuates the warm round aspects of the guitar's tone. Indian Rosewood is warm and rounded with complex overtones.
More About The Builder:
Bill Collings moved from Ohio to Houston, Texas in the mid-1970s. More interested in guitars and engineering than in medical school, he took a job at a machine shop and began building guitars on his kitchen table with just a few hand tools. Coming from a family of engineers, Bill’s experience as a craftsman and his natural curiosity equipped him to experiment and quickly improve his craft. Before long his instruments were in the hands of local talents Rick Gordon and Lyle Lovett, which led more Texas players to seek out Bill for custom guitars. After building about fifty guitars and a few banjos in Houston, he headed west to pursue lutherie in southern California. Along the way, he befriended Austin luthiers Tom Ellis and Mike Stevens. Having found like-minded instrument makers, Bill decided to stay and share space in Tom’s shop. By the mid-1980s, Bill was building flattop and archtop acoustic guitars in his own small shop. His reputation for outstanding quality and meticulous attention to detail quickly spread. In 1989, he rented a 1,000-square-foot space and hired two helpers.
That same year, George Gruhn, the acclaimed collector and purveyor of vintage fretted instruments and owner of Gruhn Guitars in Nashville, asked Bill to make 24 custom “Gruhn” guitars, giving the Austin luthier national exposure. In the spring of 1992, Bill moved his guitar-making operation into a 3,200-square-foot feed store he purchased on the outskirts of Austin. By this time musicians such as Pete Townshend, Joni Mitchell and Brian May were playing Collings instruments and demand continued to grow. The existing shop tripled in size and its staff increased to 50 full-time employees. By 2005, Bill broke ground for a new 27,000-square-foot shop featuring CNC technology that modernized machining processes and made parts production more consistent, accurate and safe. As the business grew and processes were refined, one thing remained the same: Bill Collings’ commitment to build the finest stringed instruments available.
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Shipping Weight: 20
Top Wood: Sitka Spruce
Back Wood: Indian Rosewood
Nut Width: 1 11/16"
Scale: 25 1/2"
Bracing: Pre-war scalloped bracing
Inlays: MOP diamond and square inlays
Rosette: Cross-cut grained ivoroid and wood nitrate strip
Neck Wood: Mahogany
Fretboard: Ebony 14"-26" Compound fingerboard radius
Nut Material: Bone
Saddle Material: Bone
Saddle Spacing: 2 3/16"
Bridge: Ebony Belly Bridge
Bridge Pins: Ebony w/ Pearl Dots
Tuners: Nickel Waverly tuners with 16:1 ratio
Body Binding: Grained ivoroid top/back body binding
Pickguard: Tortoise Style
Backstrip: Matching 2-style backstrip
Headstock Shape: Solid
Headstock Overlay: Rosewood
Headstock Inlay: Collings Logo
Frets To Body: 14
Neck Profile: Modified V neck profile
Body Depth: 4 7/8"
Lower Bout Width: 15 5/8"
Total Length: 40 1/4"
Case: Black Collings TKL w/ Green Interior
Misc. 1: Medium 18% nickel-silver fretwire
Misc. 2: Fully adjustable truss rod
Misc. 3: Mortise and tenon hybrid neck joint