Collings D2H Guitar Herringbone Sitka Spruce and Indian Rosewood ID-11539 - Artisan Guitars
Collings D2H Guitar Herringbone Sitka Spruce and Indian Rosewood ID-11539 - Artisan Guitars
Collings D2H Guitar Herringbone Sitka Spruce and Indian Rosewood ID-11539 - Artisan Guitars
Collings D2H Guitar Herringbone Sitka Spruce and Indian Rosewood ID-11539 - Artisan Guitars
Collings D2H Guitar Herringbone Sitka Spruce and Indian Rosewood ID-11539 - Artisan Guitars
Collings D2H Guitar Herringbone Sitka Spruce and Indian Rosewood ID-11539 - Artisan Guitars
Collings D2H Guitar Herringbone Sitka Spruce and Indian Rosewood ID-11539 - Artisan Guitars
Collings D2H Guitar Herringbone Sitka Spruce and Indian Rosewood ID-11539 - Artisan Guitars
Collings D2H Guitar Herringbone Sitka Spruce and Indian Rosewood ID-11539 - Artisan Guitars
Collings D2H Guitar Herringbone Sitka Spruce and Indian Rosewood ID-11539 - Artisan Guitars
Collings D2H Guitar Herringbone Sitka Spruce and Indian Rosewood ID-11539 - Artisan Guitars

Collings D2H Guitar Herringbone Sitka Spruce and Indian Rosewood ID-11539

Collings D2H Guitar Herringbone Sitka Spruce and Indian Rosewood

The square-shouldered 14-fret dreadnought is the most popular steel-string acoustic guitar body shape in the world. While Collings is certainly not the first to build them, they bring a new tonal clarity to the depth and warmth usually associated with such a large, deep-bodied guitar. The Collings D2H is a powerful dreadnought without any compromise.

Although its bass response makes the dreadnought ideal for vocal accompaniment, Collings versions are also often employed by bluegrass flatpickers who must compete with inherently louder instruments such as banjos and fiddles.

The standard D2H is ideal for players who find Adirondack Red Spruce too stiff for their style. Sitka Spruce is a versatile topwood that accentuates the warm round aspects of the guitar's tone. Indian Rosewood is warm and rounded with complex overtones.

More About The Builder:

Bill Collings moved from Ohio to Houston, Texas in the mid-1970s. More interested in guitars and engineering than in medical school, he took a job at a machine shop and began building guitars on his kitchen table with just a few hand tools. Coming from a family of engineers, Bill’s experience as a craftsman and his natural curiosity equipped him to experiment and quickly improve his craft. Before long his instruments were in the hands of local talents Rick Gordon and Lyle Lovett, which led more Texas players to seek out Bill for custom guitars. After building about fifty guitars and a few banjos in Houston, he headed west to pursue lutherie in southern California. Along the way, he befriended Austin luthiers Tom Ellis and Mike Stevens. Having found like-minded instrument makers, Bill decided to stay and share space in Tom’s shop. By the mid-1980s, Bill was building flattop and archtop acoustic guitars in his own small shop. His reputation for outstanding quality and meticulous attention to detail quickly spread. In 1989, he rented a 1,000-square-foot space and hired two helpers.

That same year, George Gruhn, the acclaimed collector and purveyor of vintage fretted instruments and owner of Gruhn Guitars in Nashville, asked Bill to make 24 custom “Gruhn” guitars, giving the Austin luthier national exposure. In the spring of 1992, Bill moved his guitar-making operation into a 3,200-square-foot feed store he purchased on the outskirts of Austin. By this time musicians such as Pete Townshend, Joni Mitchell and Brian May were playing Collings instruments and demand continued to grow. The existing shop tripled in size and its staff increased to 50 full-time employees. By 2005, Bill broke ground for a new 27,000-square-foot shop featuring CNC technology that modernized machining processes and made parts production more consistent, accurate and safe. As the business grew and processes were refined, one thing remained the same: Bill Collings’ commitment to build the finest stringed instruments available.

Check out some of our other Collings Guitars

Collings D2H

Specifications:

Shipping Weight: 20

Serial: 27325

Top Wood: Sitka Spruce

Back Wood: Indian Rosewood

Nut Width: 1 11/16"

Scale: 25 1/2"

Bracing: Pre-war scalloped bracing

Inlays: MOP diamond and square inlays

Rosette: Cross-cut grained ivoroid and wood nitrate strip

Neck Wood: Mahogany

Fretboard: Ebony 14"-26" Compound fingerboard radius

Nut Material: Bone

Saddle Material: Bone

Saddle Spacing: 2 3/16"

Bridge: Ebony Belly Bridge

Bridge Pins: Ebony w/ Pearl Dots

Tuners: Nickel Waverly tuners with 16:1 ratio

Purfling: Herringbone

Body Binding: Grained ivoroid top/back body binding

Pickguard: Tortoise Style

Backstrip: Matching 2-style backstrip

Headstock Shape: Solid

Headstock Overlay: Rosewood

Headstock Inlay: Collings Logo

Frets To Body: 14

Neck Profile: Modified V neck profile

Body Depth: 4 7/8"

Lower Bout Width: 15 5/8"

Total Length: 40 1/4"

Case: Black Collings TKL w/ Green Interior

Misc. 1: Medium 18% nickel-silver fretwire

Misc. 2: Fully adjustable truss rod

Misc. 3: Mortise and tenon hybrid neck joint

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